

While your items are being processed, we encourage your to stay in the store. An associate will assist you in filling out our buy form and give you a time quote for processing your items. Grab your ID and your bag(s) of clothing and head inside to our buying counter. Now, you’re ready to bring your items into the store to sell. This make sit easier for our certified buyers to process your clothing and keep all your items together. Place your current, trendy, and gently worn items nicely in a bag, box or laundry basket off of hangers. We require all clothing items to be freshly laundered before you sell them with us. Once you’ve selected the items you wish to sell, place them in the wash. At Runway Fashion Exchange, we’re all about giving your clothing a second chance! Pull out those items that you never wear, or have worn and loved, and are ready to give someone else the chance to do the same with.
#RUNWAY FASHION EXCHANGE LOGO HOW TO#
Kostadinov likes to be under the radar, but with clothes this good, it’s only a matter of time until everyone is paying attention.Interested in selling your trendy, gently worn clothing and accessories with Runway Fashion Exchange? Listed below are some great tips on how to do just that! Outside, guests paid their host no mind, despite the fact that admittance required getting his logo stamped on one’s arm. Steve Lacy, Kozaburo Akasaka, and other menswear icons mingled.

Hours after the show Kostadinov was presiding over a techno party (fog, lasers, and bass thump thump thumping) in the hinterlands of Paris. “We can do suiting, tailoring, workwear.” “We don’t need to prove we can work with color or we can make crazy things,” he said at a preview. For a long time fashion has slotted Kiko into a conceptual space when he is, underneath all the imagination and fascination, one of the most competent, surefooted, and clever designers of wearable and luxurious menswear in the game. The history that will be written for Kostadinov this season has far less to do with his thoughtful inspiration and more to do with his place in the fashion industry at large. “Fucking gorgeous,” another friend said of the jacket after the show-it’s a disservice to everyone looking at this collection online that you cannot see the gentle swoop of its lower back. It absolutely was the leather jacket worn over a ragged Bulgarian-made sweater that had a darted cocoon back. It was the spiffy pragmatism and lightness of cropped jackets with contrast yokes and a single pocket at the back and the ethereal prettiness of winged adornments that envelope the shoulders and arms, almost like a chrysalis. It was the trio of minimal suits that opened the show, a beige worn regularly, the next with pants inside out, and the third entirely reversed. What made it great? It was the iridescent cargo pants and braided hem bag worn with the brand’s new clunky sneaker. The Vietnamese artist Dahn Vo’s reappropriations of Vietnamese and American history, in particular We the People, in which Vo attempted to rebuild the Statue of Liberty from copper pieces, informed the hexagonal decals on the closing looks, each shape coming together…but not there yet. Bulgarian shearlings and layered trousers were reimagined as alpaca and chenille. Janissary draping and textures informed the single-breasted coats with their hems folded up and tucked into belts. Bulgaria’s fraught past with the Ottoman Empire was his sartorial starting point he found inspiration in Ottoman Janissary military garb and the work of traditional Bulgarian painter Zlatyu Boyadzhiev. On the runway, Kostadinov was looking to rewrite his own history books. The past is always present, but mostly out of reach. From my seat at Kiko Kostadinov’s spring 2023 menswear show I could make out some musty encyclopedias and history volumes with yellowing pages collecting dust. The bookshelves on the top floor in the Lycée Henry VI in Paris’s Latin Quarter are kept locked behind metal grates.
